when you want something so desperately, you shake with the need for it. you tell yourself that you don't need more than one sip, because it's just the taste you crave, and once it's on your tongue you will be able to make it last alifetime. you dream of it at night. you see a thousand mile-high obstacles between where you stand and what you want, and you convince yourself you have the power to hurdle them. you tell yourself this even when, leaping the first block, you wind up bruised and bloodied and flattened.

I realize how quickly lies compound. They cover like a coat of paint, one on top of the other, until you cannot remember what color you started with.

Because hate's just the flip side of love. Like heads and tails on a dime. If you don't know what it feels like to love someone, how would you know what hate is? One can't exist without the other.

What you notice is the loneliness. Daniel started to isolate himself, because it hurt less than being pushed away.

What if it turns out that a life isn’t defined by who you belong to or where you came from, by what you wished for or whom you’ve lost, but instead by the moments you spend getting from each of these places to the next?

[There's a] point where you have to leave the dough alone. It's silly to anthropomorphize bread, but I love the fact that it needs to sit quietly, to retreat from touch and noise and drama, in order to evolve. I have to admit, I often feel that way myself.

How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?