I think there are readers out there and I don't think the book is dead. And more importantly I don't think readers have to choose between literary and commercial fiction.

Part of growing up was learning not to be quite that honest - learning when it was better to lie, rather than to hurt someone with the truth.

If you want to know someone's story, they have to tell it aloud. But every time, the telling is a little but different. It's new, even to me.

How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?

Identification is not the same as knowing someone through and through.

Most people who offer their help do it to make themselves feel better, not us. To be honest, I don't blame them. It's superstition: If you give assistance to the family in need... if you throw salt over your shoulder... if you don't step on the cracks, then maybe you'll be immune. Maybe you'll be able to convince yourself that this could never happen to you.

It was always easier for me to show love than to say it. The word reminded me of pralines: small, precious, almost unbearable sweet. I would light up in his presence; I felt like a sun in the constellation of his embrace. But trying to put what I felt for him into words diminished it somehow, like pinning a butterfly under glass, or videotaping a comet.