History could hover, like a faint perfume or a memory stamped on the back of one's eyelids.

But as he grew older, he learned that a word was a powerful thing. An insult didn't have to be shouted to bleed; a vow didn't have to be whispered to make you believe. Hold a thought in your head, and that was enough to change the actions of anyone and anything that crossed your path.

What was wrong with me? I had a decent life. I was healthy. I wasn't starving or maimed by a land mine or orphaned. Yet somehow, it wasn't enough. I had a hole in me, and everything I took for granted slipped through it like sand. I felt like I had swallowed yeast, like whatever evil was festering inside me had doubled in size.

Whether or not you believe in Fate comes down to one thing: who do you blame when something goes wrong.

It was always easier for me to show love than to say it. The word reminded me of pralines: small, precious, almost unbearable sweet. I would light up in his presence; I felt like a sun in the constellation of his embrace. But trying to put what I felt for him into words diminished it somehow, like pinning a butterfly under glass, or videotaping a comet.

In Poland, for a while, my books all had cartoons on the cover. I trust my publishers in each country to know what works in their individual markets.

I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.