I suppose that's my one little secret, the secret of my success.

I don't really think I have the personality. I am not very external. I don't want to dance on the table and do impressions. So I think that the way I approach it is really loving story. That's my first love - the words. The words and the story and how to create images. I guess I come at that as a director. I think that's much more in my personality to be a director, so that's kind of informed my acting.

I want to change the system from within the system. And that means focusing and specializing.

Boys are easy. I mean, there are just a lot of bruises when they're young. With boys, you get a lot of accidental jabs in the eye and stepping on your feet, and those tantrums they cause when they don't want to leave the toy store.

I've got that Irish thing going on. Lots of Irish in my background.

Look, it's terrible, I know, but weakness really, really bugs me, to the point that if there is a wounded bird on the sidewalk, I look at it and I go: I think I'll just kick it.

I make movies about people in spiritual crisis because it's a way for me to spend the time, the energy, the focus and the obsession to come to terms with my own spiritual crisis.