I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.

Boys are easy. I mean, there are just a lot of bruises when they're young. With boys, you get a lot of accidental jabs in the eye and stepping on your feet, and those tantrums they cause when they don't want to leave the toy store.

I was a literature major in college and that was my thing, books.

I want to be inspiring to myself, to my kids, my family, and my friends.

When I was growing up, books took me away from my life to a solitary place that didn't feel lonely. They celebrated the outcasts, people who sat on the margins of society contemplating their interiors. . . Books were my cure for a romanticized unhappiness, for the anxiety of impending adulthood. They were all mine, private islands with secret passwords only the worthy could utter.

When I think about what part of my college experience came back in my work experience, I feel like it was learning how to read deeper, learning how to keep filling the movie up with more and more resonance.

I like dramas. I've always liked dramas. And I'm a pretty light person. I don't consider myself a very dramatic person. But I do like doing that onscreen.