I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
Jodie FosterWhat I didn't realize is how completely consumed I would be by my sons. I didn't know that the rest of my life would become so little a priority.
Jodie FosterEvery movie changes you. The process of making a film changes you. You have to be obsessed, you have to get up at 3 in the morning and go "Wait, I have an idea!" You have to continually be drawn over and over again to deepening inside that story, and ruminating over questions: "Why would he say this to her? Why if he was standing there, would she go?" Every one of those answers has to come from some personal place, and in order to do that, you can't sit on the surface. It's such a big change that you can't really explain it to anyone else.
Jodie FosterI have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
Jodie FosterI don't really think I have the personality. I am not very external. I don't want to dance on the table and do impressions. So I think that the way I approach it is really loving story. That's my first love - the words. The words and the story and how to create images. I guess I come at that as a director. I think that's much more in my personality to be a director, so that's kind of informed my acting.
Jodie Foster