By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.

I think it's important that when people are struggling, that you not run away from them if you love them. Kristen, I mean, I look at the room tonight, you know, Kristen Stewart and Claire Danes, Jennifer Lawrence, all these young women that I worked with who basically were child actors like I was a child actor. And then I feel very protective of them, because even though I think I have managed to get through the process relatively sanely, I have my scars, and I hope to be in some ways a member of their family that's out there protecting them.

I like to nap. I do like to sleep. Sometimes I sleep in between takes.

I don't have a burning desire to act strangely enough. I don't know that if I hadn't been an actor as a young person, I don't know that I ever would have chosen this because it's not really my personality.

Acting, for me, is exhausting. I'm always more energized by directing. It's more intense to direct. I can pop in and express myself, then pop out again. It's a huge passion for me.

I don't really think I have the personality. I am not very external. I don't want to dance on the table and do impressions. So I think that the way I approach it is really loving story. That's my first love - the words. The words and the story and how to create images. I guess I come at that as a director. I think that's much more in my personality to be a director, so that's kind of informed my acting.

It's very hard for me to get a new car. It's really hard for me to get a new house. It's really hard for me to move on from the things that give me stability.