I wish people could get over the hang-up of subtitles, although at the same time, you know, that's kind of why I'm kind of pro dubbing.

~I used to think, What if there's an interesting movie and it conflicts with the boys going to a new school for the first time?... Well, I didn't anticipate that was going to be about a two-second dilemma. I didn't know the choices would be so easy to make.~

Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.

Acting just happens to be my skill, but I think I would probably be just as happy being a technician or entering into the film business in some other way.

Every movie changes you. The process of making a film changes you. You have to be obsessed, you have to get up at 3 in the morning and go "Wait, I have an idea!" You have to continually be drawn over and over again to deepening inside that story, and ruminating over questions: "Why would he say this to her? Why if he was standing there, would she go?" Every one of those answers has to come from some personal place, and in order to do that, you can't sit on the surface. It's such a big change that you can't really explain it to anyone else.

Definitely, there's a lot of trouble you come up against when you're acting and directing, about your performance. Sometimes it's hard to be objective about it. I will tend to get two takes and walk away. I don't belabor it, and it's important to me to have someone who says, "You know what? You should get another one, and maybe you should try it like that".

I don't have a burning desire to act strangely enough. I don't know that if I hadn't been an actor as a young person, I don't know that I ever would have chosen this because it's not really my personality.