Part of me was always trying to prove that I belonged and prove that I deserved the job and prove that I could handle it. And that takes the fun out of it.

You can make an editorial comment about the play while it's going on. You don't have to be bogged down by the details because the camera is showing the groundball to short.

When I'm doing TV, it's more of a choreographed dance, in a way. So I've got to follow the pictures, or the pictures have to follow me.

I think when you do radio there's a certain amount of freedom that when you walk in and sit down and turn the mic on, it's you. It's all you.

The worst thing in the world is to feel like people turn on the TV and say, oh god, it's that guy again. I'm trying to avoid that.

I'm probably always guilty for rooting for a long series. Not either side - I don't really care who wins the game, but it makes for more compelling TV the more games you go deeper into a series.

I've met Jon Glaser who has a show on Adult Swim call Delocated and he's the main writer we hired for the show. That's really my brand of humor, I would say.