If I were to go the major route, again, attention would probably be the first and foremost. You want attention, you want support, you want to be treated properly, and I don't wanna have to go anywhere and teach people how to treat me. As far as money, acclaim and fame, those things are a plus - accolades - they're all great.

Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.

It's one of my short-term goals, to be able to actually record music and release it simultaneously and not just hold on to it.

I was fortunate enough to have gone through the major label process and kind of have the inside scoop on some things, some information I wouldn't have normally had. To go from a major to an independent, I don't think it's an easy transition.

It is a different world, the underground. When you hit mainstream, you hit a saturation level and that turns some people off. When you are on more low-key stuff, it works to your advantage and it creates a buzz on the streets. At that point, the sky is the limit.

You want attention, you want support, you want to be treated properly, and I don't wanna have to go anywhere and teach people how to treat me.

I believe that life is meaningless without hope, which is really what that line is about. Without hope, what are we living for? I wouldn't wanna see where exactly I'd be in five years. I wouldn't wanna know my exact date of death. I wouldn't want to know my exact cause of death. Certain things I just want to allow to take place rather than just have the knowledge beforehand.