I have some things that I've been workin' on, such as delivery, wordplay, breath control, just a lot of other things that artists work on, that the listener may not be listening for.

I'm proud to say I'm the only Slaughterhouse member who has not rewritten a verse yet, and that's the ongoing joke in the group, 'cause everybody has rewrote their sh*t except for me.

Where I'm at physically, mentally, emotionally, spiritually usually dictates where my music goes.

I would have had a clause in my contract; I would've definitely put some fine print in my contract that said, "If the president leaves, I'm leaving." That'd be the bottom line.

I loved love til' it resented me, and if it's still a stranger then I love who it pretends to be.

Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.

I'm lookin' forward to doin' a lot of big things. I've been doin' a lot of big things: a lot of traveling, a lot of recording - I'm excited.