I'm always looking for films, but the horror scripts that I get tend to be very repetitive and often not that interesting.

I like working with kid actors because they surprise you constantly. I mean, all actors do - but kids particularly.

Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back.

You don't paint pictures to put them in your attic. You want people to look at them.

I don't believe that you can judge the worth of a movie in the atmosphere in which it comes out the first time. There's just so many reasons why some pictures don't catch on.

There's so little difference between television and features as far as you make the film. I mean, you have less money and it's a little quicker, but the concept is all on television.

I think I entered the market around the time when there was getting to be less snobbery about the difference between feature films and television. I think there's been a lot more receptivity on television to interesting adult stories that in the '60s and '70s would have been made into feature films. I have no problem jumping back and forth. If anything, I find it less restrictive working in television.