When you make a 3-D movie you actually have to plan the way the visuals look because there's a parallax issue, and there's an issue of editing, you can't edit very quickly in 3-D because the eye won't adjust fast enough for it.
Joe DanteI like working with kid actors because they surprise you constantly. I mean, all actors do - but kids particularly.
Joe DanteI've made a lot of movies with kids in them. I don't know why that is, but it's something I've noticed.
Joe DanteI go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".
Joe DanteThere's so little difference between television and features as far as you make the film. I mean, you have less money and it's a little quicker, but the concept is all on television.
Joe DanteThere's a way of thinking that comes with being an editor that is incredibly useful on the set. It's not just a vocabulary thing or a right-to-left thing or script supervisor stuff. It's a way of thinking about the film and the shots and the way they fit together, what you need and what you don't need, and what you can get away with if you have to.
Joe Dante