I was six when we came to this country. When I was 14 or so, I still had a lot of trouble with it.

I think to put death on screen where it isn't that turns it into comic book time and there I think by desensitizing an audience, you really do open the possibility that someone is going to kill.

From a writing point of view, you now have teams of screenwriters working with a director. What's lost in the process is the power of that one heart, brain, gut and soul that makes something an original piece of writing.

From what I've been able to determine, many of our big stars are addicted to tobacco. They want to smoke in movies for the same reason I smoked as I wrote, which is that they think their performance is going to be better.

I think one of the things that I was struck by was that Joe has the financial wherewithal to go check into some expensive clinic, go into rehab and beat these addictions but he didn't. He sort of designed his own, you know, sort of rehabilitation at home. And anybody could do what he did. When he felt like having a cigarette after he ate, he would get up and walk. At cocktail hour when he used to have a drink and watch the news, he stopped watching the news. He couldn't. He couldn't watch the news and not have a drink and a cigarette. He would walk.

I began my addiction when I was 12 years old. By the time 40, 45 years later, when it, you know, it threatened my life and maimed me in terms of my voice, I was so addicted that I was smoking four packs of cigarettes a day.

Every time I flicked channels, there I was, talking. I was talking too much and writing too little. So Naomi and I went to Hawaii. The phone was cut off and we lost touch. This gave me the chance to have a good think about my life.