I still love how Phil Spector turned teenage experiences into wonderful symphonies, but I find it a little more difficult to put myself in that place.

The chemistry of making the songs is often about being inspired by each other and responding intuitively.

One of the big things right now is the DJ is a spectacle, isn't it? You have the enormous light show, smoke, explosions, and fire. There's a dude with a USB stick playing somewhere in there, but the spectacle is created out of lights and lasers and whatever. The original idea of DJing - being a shadowy figure in the corner while people were having a party - is not the one that makes money and is massively popular internationally.

I still love how Phil Spector turned teenage experiences into wonderful symphonies, but I find it a little more difficult to put myself in that place.

It's a part of hip-hop, rave culture. But moving on from whistles, in the future we want to release Greco-Roman wine. Our friends are getting too old to go clubbing, but they will still have to buy our wine if we release it.

People try to be more edgy, or write about that first explosive meeting between two people in a club, but not so much the long-term issues; I don't know how to write a song about teenage heartbreak anymore.

There's good stuff going on in modern pop music, but a lot of it is really materialistic and only about money.