I know that for category purposes, people have to lump certain artists in with genre that they make their name or their bones in. Nobody can tell me that Taj Mahal is pure blues. Nobody can tell me that Mike Bloomfield was pure blues. It was a lot of other things going on as well.

Maybe in my personal life, but as far as my career, I've been offered some humongous things in my career and didn't take them. I look back and think, oh man, well I'd have been well off monetarily wise, but artistic wise I don't know. I'd have to say, personally, in my personal life, yeah, but in my musical life, on twenty-twenty hindsight I would say just take the good with the bad.

Nowadays it's hard to get somebody to invest the time - everybody wants to be famous rather than be a good musician.

I like to say that I had a really good musical education because it was inclusive of all styles of music and I like it like that.

At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.

Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.

I'm just a restless soul musically.