In novels you're able to occupy character's internal thoughts and it's really hard to do in a film or a TV show. When you're reading a character's thoughts or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me that's what the whole point of fiction is.

Above the dirt of an unmarked grave and beneath the shadow of the abandoned refinery, the children would play their own made up games: Wild West Accountants! in which they would calculate the loss of a shipment of gold stolen from an imaginary stagecoach, or Recently Divorced Scientists! in which they would build a super-collider out of garbage to try and win back their recently lost loves.

And it's exactly what's wrong with the radio. It's like...anything that tries to appeal to everybody always ends up sounding so cheap.

It is what we see when we imagine what the afterlife must be like: our happiest triumphs, our most sincere moments, stolen from the seam of our lives, a respite just before the onset of imminent tragedy.

Where do you go when you die? Ha ha. Go on, go on and tell her, Billy." Billy smiles. "You become a little voice in someone's ear telling them that things will be alright.

The boy detective thinks, The only thing all men have in common with one another is their inherent capacity to make mistakes. He reasons, But there is wonder in the attempt, knowing we are all destined to fall short, but forgoing reason and fear time and time again so deliberately.

Do not be confused by what the natural world knows: We are all, in our own way, completely and totally alone. If love is real, it is complete and total failing of the intellect. It is utter self-destruction. It is pandemonium.