They might have been all-right people doing the best they could, but I got to tell you, you got a dead cat lying in your yard you ought to bury it. That’s my motto.

I have always felt validated and it shouldn't take film to do that for writer, but I'm glad it has. My plan has always been to be read more widely by doing just what I've always done. I wanted to break into the mainstream without becoming mainstream.

I know the Pollock novel. Read it last year and liked it. Daniel Woodrell is awesome. I especially like the book Winter's Bone, and the film made from it. Larry Brown is terrific, all his work, but for me Joe in particular, also a good film, but a much better novel.

It seems to be the heart of much of my work. I grew up seeing a lot of racism in the South, but I've seen it all over the world. Don't care for it at all. I was poor, so I'm used to the underdog position.

I wrote for television some, animation. Batman the Animated Series, Superman the Animated Series, Son of Batman, things of that nature were made and I'm happy about that, but now the recent film and TV stuff have validated me, as if that makes any sense.

First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.

I was very familiar with both actors, as well as Christina Hendricks and Bill Sage, Jimmi Simpson, Polly McIntosh, but the other main actors were new to me. And they were all terrific. Just amazing. Actually, Lowell Northrop optioned Savage Season from me, first book in the series, and I wrote a screenplay.