It seems to be the heart of much of my work. I grew up seeing a lot of racism in the South, but I've seen it all over the world. Don't care for it at all. I was poor, so I'm used to the underdog position.

Bruce Campbell and Ossie Davis are just great in that, and Don's direction is sublime. Love it, and I was glad to be a part of it, if just in spirit and Don's desire for it to be a good film and for me to be happy with it. When I first saw it I was very impressed, and it gets better with repeat viewings.

It seems to be the heart of much of my work. I grew up seeing a lot of racism in the South, but I've seen it all over the world. Don't care for it at all. I was poor, so I'm used to the underdog position.

I love Hap and Leonard and plan to write more about them, but not exclusively about them. I have always worked in film, or since the eighties, but my screenplays - though I got paid and did screenplays for Ridley Scott and John Irvin and Mark Romanek - seldom got made.

It was the kind of talk that made me want to break off a limb and take to whacking her and that bunch of hypocrites across the back of the head.

We couldn't get it off the ground as a film, but then we begin to think television, and Lowell pushed it out there and Jim and Nick were anxious to do Hap and Leonard anyway, and I had worked with them before, so it was a perfect story. I love the series. I hope there's a second.

Only our memories allow that some people ever existed. That they mattered, or mattered too much.