First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.

Enjoy it if you do, but don't tell me how to live or teach it in school, or not allow a woman the right to choose, and so on. Yeah, all of that slips into my work. I even got a death threat the other day for not being pro gun, which just proves my point. They can kiss my ass.

I have always felt validated and it shouldn't take film to do that for writer, but I'm glad it has. My plan has always been to be read more widely by doing just what I've always done. I wanted to break into the mainstream without becoming mainstream.

I have finally become my own genre, and now that's what publishers want. I have a wonderful publisher now, Mulholland, very innovated, very fine people working there.

The logic of a madman is a sane man's confusion.

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.

I love Crews, but had been writing a long time before I knew of him. I learned of him because a friend thought we were similar. The reason we are is we were both heavily influenced by Flannery O'Conner. She was wonderful.