I think you try to extrapolate from the early civilizations and cultures of the continent, kind of looking for unique ways they set themselves apart from Western civilizations, and then pursue those avenues technologically and see where that takes you.

Black Panther is a historic opportunity to be a part of something important and special, particularly at a time when African Americans are affirming their identities while dealing with vilification and dehumanization. The image of a black hero on this scale is just really exciting.

had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.

I figured out I wanted to tell stories in college. I'm an only child who moved around a lot growing up, and I really feel like it prepared me to be a storyteller - to make up stories and pretend to be every hero from every movie and TV show as a kid. So it was a natural progression.

I write characters focusing on them as human beings, and then you wrap them within a culture. So I think I can connect with him as a person with brown skin who's viewed differently by the world. In terms of his culture, we're thinking about where we are locating Wakanda within the continent, and what the people and history of that region are like. It's a process of investigation to help inform the story at this point. But we are going to be engaged with consultants who are experts on the continent and on African history and politics.

Well, TV does a better job. In film, the justification has been that movies focused on stories or featuring people of color don't make money.

There is a huge fan base for the Black Panther comic and for Marvel as a whole. And I think there is great anticipation across the board for the movie. I think that's how Marvel is approaching it and I know that's how I'm approaching it.