All the power's in the hands of people rich enough to buy it.

To me our music is like Jamaican stuff - if they can't hear it, they're not supposed to hear it. It's not for them if they can't understand it.

Everyone has got to realise you can't hold onto the past if you want any future. Each second should lead to the next one.

I`m kind of like one of those people that picks up small and interesting bits of wood and doesn`t want to let go of them. Or, you know, I`m fascinated with the wrapper on a sardine can. A little cuckoo.

What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.

A lot of the time I'm semi-insane, but there is a slight bit of intelligence there.

Don't forget you're alive. 'Cause sometimes when you walk around the city and you're in a bad mood, you can think, hey, wait a minute, we're alive! We don't know what the next second will bring and what a fantastic thing this is. This can get easily forgotten in the routine of life, and that's something I'm trying to bring to my attention at all times. Don't forget you're alive. We're not dead, you know. This is the greatest thing.