I think my dyslexia was a vital part of my development because my inability to read and write meant that I had to find knowledge elsewhere so I looked to the cinema.

I wouldn't presume to know something, but I have lots to learn and that's what I attempt to do through my work.

Modern, not bottom-dwelling literature like a carp.

I was known for a while for doing very long takes, especially after Atonement.

My first cut that I showed the studio was probably 2hrs 20min.

I couldn't be a cameraman or a designer or an actor - I have to be a director because I learned how to do that from my dad.

One of the things I really love about 3D is that because as we grow older on eye weakens more than the other, 3D becomes more difficult for adults to watch than it is for children who have very balanced eyes often.