The sum total of all my stop-starts have made me less concerned about the future. I'm just aware now that I'll always land on my feet somehow.

Everything is a learning process: any time you fall over, it's just teaching you to stand up the next time.

The tricky thing becomes: Do you know yourself well enough to then portray that on screen? And for me, I find that really hard. I'd rather hide behind accents and funny walks.

I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.

What I like is having a conversation that gets you on the right page. And, if that means having conversations in lieu of rehearsal - I don't wanna get up and cook the thing before we shoot it but I do wanna know that me and the director know exactly what we both want to achieve, and that we're moving in the same direction.

The Great Gatsby' ticked so many boxes for me.

I'm really good at judging and observing other people, but not myself.