I often times find with movies that the heavier the onscreen situation is, the more levity there is off screen. It's almost out of necessity.

To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.

I can't sing or dance.

The sum total of all my stop-starts have made me less concerned about the future. I'm just aware now that I'll always land on my feet somehow.

What I like is having a conversation that gets you on the right page. And, if that means having conversations in lieu of rehearsal - I don't wanna get up and cook the thing before we shoot it but I do wanna know that me and the director know exactly what we both want to achieve, and that we're moving in the same direction.

Every job leaves its residue, a bit of extra knowledge, a new skill-set.

The Great Gatsby' ticked so many boxes for me.