There's a lot of neuroscience now raising the question, 'Is all the intelligence in the human body in the brain?', and they're finding out that, no, it's not like that. The body has intelligence itself, and we're much more of an organic creature in that way.

You're always trying to look for material that is as challenging as possible, so that's why I like stuff where the characters go through the most difficult times they've ever had in their life. It makes me push myself further and learn more about myself.

'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.

I think for a lot of people that had seen me do Snabba Cash, after watching The Killing, I think they got a sense that I could do different kinds of characters.

We all can relate to people's weaknesses. We might put up a facade that everything is perfect but none of us are. When we see that weakness in somebody else, we understand or give ourselves a little bit of leeway.

You're not able to do a lot of projects because you don't have a name. I wanted to get my movies to come over that hedge, so that I could do the movies that I wanted to do.

If you think back to the moments when you've gone through the most pain in your life, or the most severe anxiety, your body is very much involved in that. Your body is expressing those emotions. So, when we, as actors, try to access those feelings, the body is a great tool to use.