They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
Joel MeyerowitzWe think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.
Joel MeyerowitzIt comes down to risk, again and again. If you risk coming out, if you risk making pictures that arenโt good, you might discover something in a photograph that is the key. The very doorway to your own interest.
Joel MeyerowitzA lot of what I am looking for is a moment of astonishment, he says. Those moments of pure consciousness when you involuntarily inhale and say 'Wow!'
Joel MeyerowitzWhen you're on the street, and, as you're walking along, a woman turns the corner going away from you, and for an instant you have a glimpse of the side of her face, of the gesture of her shoulder, the shape of her body, and you are committed... You are in love for an instant, or your senses are rocked for an instant. That person then disappears and is lost to you forever.
Joel Meyerowitz