I chose to go to Arizona, because it was an opportunity to make something that I've never done. To work with different people and to have a good time when you're recording and to not have the whole thing be some sort of editing process in front of a computer, but to actually try and capture some sort of spirit.

I have the ability to go back to the old days with the boys and remember what it was like playing music. I have that real connection to the feeling of playing music as a young man. I do. I can almost touch it.

There's a reason that I love this town.

The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".

I've had a lot of support from every corner of my life and my audience, to pretty much do close to what I want. I don't have unlimited time or money to execute my wildest dreams but I have enough get up and go to keep me going.

I've been really supported by my family and my wife. She really understands what I do, but it doesn't get any easier when you get away all the time and so I'm trying to find the balance.

I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.