The only thing worse than growing up is never quite learning how

The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".

I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.

I care about the records I make and I love writing songs and some songs are really dear to me and they mean something. But the memory of making the records and the activities surrounding the records, the people involved in them is actually a bigger thing to me.

I've had a lot of support from every corner of my life and my audience, to pretty much do close to what I want. I don't have unlimited time or money to execute my wildest dreams but I have enough get up and go to keep me going.

That memory of making the record is a huge part of the record itself.

I like New Orleans music, I like Memphis music and I like the way that the sound like those places. I like how there are stars and there are people in those cities that are revered in the community.