The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean, it's not the way people say it is, but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.

I'm a filmmaker and I'm proud of the movies I've made. But in the background of my life I was also very involved in the creation of the sport.

I really was very impressed with DMX during the whole experience on 'Romeo Must Die.' I like working with him. I liked him. And I was very impressed with the reaction of the audience when he was in the picture.

My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.

There is no real kind of specific genre of cost of movies.

You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's what is fun to do.

The idea of a youth-based society that you live in for a certain time and then you no longer live anymore is an interesting idea for a movie, but you need young people that people want to go see.