When you have unity, I think it squares the reach or power of the work.

Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.

Looking at a black and white photograph, you are already looking at a strange world.

For me it was sort of career suicide to work in color, but I did it because I perceived myself from an early stage to be interested in seasonality - the changing of the seasons - thats what I deeply loved.

The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.

Photography has always been capable of manipulation.

I'm trying to take pictures of less and less.