Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.

I often say that a lot of my job, as a screenwriter, is sort of being a stock picker, in that I need to figure out what movies are probably going to get made because otherwise I'm spending a lot of my time on something that's trapped in 12-point courier. So, having Tim's interest in doing a movie is a huge asset. But, not everything shoots. I'm always grateful when those things do happen.

I just always remember myself as the teenager with questions about movies and screenwriting. I would hope that there was somebody out there who would answer those questions, and so, if I can take a few minutes to do it, I will. It's not threatening for us. We're not being stalked, so it's easier.

With Corpse Bride, I saw a lot more of it during the process because we were changing things a lot. When I came onto Corpse Bride, it wasn't a musical.

I loved The Sarah Connor Chronicles that Josh did, and I loved that it was a family drama with a huge, different element. And this is also a family drama with a huge, very different element. I think he'll kill it. It will be great.

I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.

For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.