When you start doing television, you want a transcript of what you're going to say, and every time I've had to do that, I've looked at it and gone, "That's just not funny." It only comes alive when you speak it.

I don't think interviewing people is any different than normal communication. The only thing is that it has these boundaries set upon it as to what the conversation is about.

When you start doing television, you want a transcript of what you're going to say, and every time I've had to do that, I've looked at it and gone, "That's just not funny." It only comes alive when you speak it.

I refuse, whenever possible, to do shows on a Monday. I don't do gigs on a Monday, because nobody laughs on Mondays. Everybody wants Monday to be over. I just won't do 'em. But the rest of the time, in all honesty, it doesn't matter where you are: if something's funny, people laugh.

For me, a tour show should have a narrative; it should have an arc. It shouldn't just be, "Here's one joke, here's another joke." That's not my style. They all have to somehow link together.

On his teenage son: To be honest, I'm not sure the same kid comes home each night.

I can only develop a stand-up show by being on stage. I can't write it. Whenever I see comedy written down, it very rarely makes me laugh.