I love London. I'm a London fanatic. That's my city. I love being from there, you don't appreciate it until you go out.

Let's get used to other cultures. Portray the world for what it is and you will find truth.

Portray the world for what it is, and you will find truth.

I got the script of Imperial Dreams from my agent. I was at home having a full English breakfast and the email came through in my junkmail. Funnily enough, I was paying a T-Mobile bill, so I was able to see the email. After that I was engaged in the story. I was scared - fearful - because the story doesn't just penetrate one level in terms of narrative; it goes that level after.

You have to realize that for some of these people - definitely me when I was growing up - you treat every day like it's your last, because that's the reality of your situation. You never know when someone's going to go, because you're living in a war zone. It's almost like you're in a jungle, and you're just waiting for the predator to catch everybody one by one. So everybody cherishes each other. Instead of calling people the n-word, you're calling people "loved one." There is a level of appreciation for brothers and sisters in the hood.

We've grown up with American movies. Not to say that American movies - or movies that have been based in Watts, Compton, or Inglewood - are a 100% true depiction of that world. But also you have inner-city London, and the foundations are pretty much the same. Especially me, growing up in Southeast London, in Peckham.

You take your audience through such a story where they have to invest their energy and emotion, and to slap them in the face with, "Well, this is how life is. Bye," wouldn't have been as great as the ending that we have, which is optimistic and hopeful. It's not happy 100%, but it does make you feel like, "This kid may just be okay."