The first thing he noticed was how quiet it was. This was nothing like the kind of quiet he heard when he woke up in the middle of the night after a bad dream. When that happened, there were always strange, unidentifiable sounds seeping into his room from the tiny gaps where the windowpanes weren't sealed together correctly. At those moments he could always tell there was life outside, even if all that life was fast asleep. It was a silence that wasn't silence at all.

(J)ust because your version of normal isn't the same as someone else's version doesn't mean that there's anything wrong with you.

I can't bear to be on a train without a book", she announced. " It's a form of self-defence in a way" .

He looked down and did something quite out of character for him: he took hold of Shmuel's tiny hand in his and squeezed it tightly. "You're my best friend, Shmuel," he said. "My best friend for life.

...Despite the mayhem that followed, Bruno found that he was still holding Shmuel's hand in his own and nothing in the world would have persuaded him to let go.

It occurs to me that even though Zoya and I are both still alive, my life is already over. She will be taken from me soon and there will be no reason for me to continue without her. We are one person, you see. We are GeorgyandZoya.

With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice.