As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.

My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.

Norman Mailer loved women so much. I mean probably more than anything in the world he loved women. He got put into a position where he was kind of seen as the anti-feminist, although he was for the feminist movement. He just didn't want people to get consumed with the idea that this was going to be much better. He said, "Look, women should be treated equally and fairly."

Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.

I mean I think one of the larger problems going on right now is, debate has replaced discussion. As I say you can't lump Wall Street into one category. That doesn't mean anything. Every firm has a different attitude and does different things and puts their cherries in certain places and their money in others. Some are vicious, nasty, I will cut you down at all costs to make a buck, some have a much higher moral standard.

Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.

Ten years ago when I started out I was kind of told I was insane for trying to pursue multiple fields at once because in five years everyone who just did one would have five times the resume I would if I was lucky, but I took that gamble because I just my gut told me it was the right thing to do and you know as an actor there is so much downtime you want to fill it with something else and as a writer you know sometimes you're doing a passion project, sometimes it's a paid gig, sometimes there is nothing, so you can do a journalistic piece.