Ten years ago when I started out I was kind of told I was insane for trying to pursue multiple fields at once because in five years everyone who just did one would have five times the resume I would if I was lucky, but I took that gamble because I just my gut told me it was the right thing to do and you know as an actor there is so much downtime you want to fill it with something else and as a writer you know sometimes you're doing a passion project, sometimes it's a paid gig, sometimes there is nothing, so you can do a journalistic piece.

Work ethic is one of the biggest things my father taught me. That man worked like every day, every day, 9 to 5, well 9 to 9 in his case, but he would treat it as if it was a 9 to 5 job. He would clock in. He would put in his hours. That is how you can write those you know incredibly long books that unfortunately there is not much market for anymore, but that is also how you can explore an idea on a deeper level than we get in our media surface these days. It's tough.

The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.

I remember talking to my dad about legalization in a book we did together called "The Big Empty." He was saying like, "Oh, no, no, as soon as it's legalized it will be ruined." "The corporations will get their hands on it. You'll have, you know, pot with vitamin C and, you know, 'Viagratized High Toke.'" You know different things like that. That it won't be, you know, they'll put chemicals into it. It won't be that pure plant that it is now. He may have a good point there.

As each generation comes up that doesn't have the habits for paper it's just easier and cheaper to get your stuff online. You know, people go to what they're used to. Certainly our generation, you know, we'll always want to have a magazine in our hands. We like that, but millennials didn't see the value in that necessarily.

I think that ultimately when life is not tragedy it should be a party and if you've faced the real stuff, if you've faced the ones closest to you being at death's door, passing on, you know, not to let the small stuff really harsh your mellow, as you put it.

My father, Norman Mailer, expected a lot from us and he really pushed us and you know one of his favorite lines was, "If you think I'm being hard on you, wait until life hits you because life is a hell of a lot tougher than I am." And I took everything he said to heart. He taught me how to write, which was scary and intimidating and hard, but ultimately one of the biggest gifts I could have ever asked for.