When they're good, I like working with new actors.

When you're dealing with younger people, if you start acting like the leader or the expert or the elder statesman, 'well, let me tell you how this is...,' that's a great way to alienate young people and make them hate you.

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

It's kind of liberating to be able to bring your own ideas to things, but it's also a lot of pressure, it's like screenwriting on your feet.

The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

If you get made fun for the way you look, then maybe wearing the same thing every day is the best way to protect yourself.

When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"