A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.

I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.

I love that people can't place me. They don't know my name. That's 'mission accomplished' in my world.

You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.

People say, 'Don't you get tired of people coming up to you all the time?' But what's wrong with strangers saying they love you?

That's one of the difficult things of being an actor that I'm still not used to. You have to go, you have to show up at these places where you know nobody, and sometimes with really impressive, high stakes people like Roman Polanski.

You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.