I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.

I like how pure the expression is in music. You can go straight to the heart of an audience rather than through their brain.

I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.

I know I'm not some matinee idol, but I think we're sold this bill of goods by the media, which says that only the most beautiful and dashing people can become movie stars. So when someone like me sneaks in, they have to redo the calculations.

Whatever the reasons that I turn things down, I'm always happy when there's a good result, and I can enjoy it as a movie, you know? I don't feel like, 'Oh man, that was really good. I should have done it.' You have to make the decisions you have to make, whether it has to do with your family or repeating a character or whatever it is.

I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.

Somehow that doesn't feel like a natural human thing to do, to go to those dark places, you have to kind of force yourself to do that. And comedy, it's like you're excited to get there in the morning every day.