It's kind of liberating to be able to bring your own ideas to things, but it's also a lot of pressure, it's like screenwriting on your feet.

To me, it doesn't make any sense to pick your work based on the size of the budget of the movie.

I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'

Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.

There is something about the water - that solitary kind of peaceful feeling. You're on earth but not quite.

There's so much joy in doing comedy work, and that's one of the reasons I like to do it - because it's just a hilarious day at work.

I'm not a big fan of kids' movies that have this knowing snarkiness to them or this post-modern take on storytelling. I think that sails right over the heads of most kids. There's something to be said for a well-told fairy tale. There's a reason that these mythic stories stay with us.