Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

I'm not of the manor born; I've never felt entitled in that way. I just came to Hollywood to be an actor. All that lifestyle stuff is something to be managed.

God forbid you got seasick because there was no option to go back. So that really did force us to be a group.

That's one of the difficult things of being an actor that I'm still not used to. You have to go, you have to show up at these places where you know nobody, and sometimes with really impressive, high stakes people like Roman Polanski.

I like people who are able to keep pushing themselves and challenging themselves even after great success.

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

I really enjoy my time off. If I'm going to go to work, it has to be something I really believe in, or else it's totally tedious.