Really if you look at my filmography, there's something for everyone!

I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'

From the first time I did a movie, people have said, 'Oh, it's all going to change now.' And it would change, but very incrementally. I think I prefer that to some big explosion of fame all of the sudden.

I like when people know exactly, have a good sense of themselves, and know exactly what's good for them, I admire that, but I don't have anywhere near that kind of perspective on my own.

A script is like a theory of a movie.

For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.

Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.