The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.

Even if you're improvising, the fact that beforehand you know certain things will work helps you make those improvisations successful. It really helps to have a certain amount of knowledge about musical structure.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

I'm content with making records, but I don't want to be doing the same thing all the time.

People sort of know me for that solo piano music I did.