I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.

People sort of know me for that solo piano music I did.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.

I want to get lean and mean, keep it minimalist.

I like what the future holds. I don't like thinking about the past.