I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

In cities like New York and Austin, there's much more of a social context for music than in other places.

I'm content with making records, but I don't want to be doing the same thing all the time.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

It would be a stronger world, a stronger, loving world, to die in.

I like what the future holds. I don't like thinking about the past.