Growing up in Wales was a pretty Draconian experience with religion.
I like it here in New York. I like the idea of having to keep eyes in the back of your head all the time.
That's what my life is, writing songs.
When somebody grabs a movement, you're kind of locked into it. It's all par for the course.
I want to get lean and mean, keep it minimalist.
In the studio you have pretty much carte blanche with whatever you're doing. You can turn natural instruments into electronic instruments.