The big turning point came when I played in the pit orchestra for a production of SWEENEY TODD and I spent most of the time watching the play instead of playing the score! And that's when I knew I had it bad for acting.

The big turning point came when I played in the pit orchestra for a production of SWEENEY TODD and I spent most of the time watching the play instead of playing the score! And that's when I knew I had it bad for acting.

There's always down time when you're an actor, especially a character actor.

It's fascinating to watch the progress that is made during previews. The coolest thing is watching the actors take over the show, and make it there own.

I do remember realizing one day that I loved plays more than I loved playing concertos.

It's always easy to get parts when you're a guy!

New York is all about people and the things people make.