Peter Norman is a humanitarian, and I say "is" because in my life, Peter Norman is never deceased. He's always going to live with me.

Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.

As a kid growing up and seeing so much strife taking place in society, and particularly on Blacks and people of color, I had an opportunity as a young man to witness the change that was taking place in Harlem, the exodus of white folks leaving Harlem, which I thought was a very cohesive situation. But they felt that they needed to leave.

It was like when we went to Mexico City [Olympics in 1968] it was sun and shining and bright. When we came home it was chaotic and storms everywhere. I think the most devastating thing was to make the adjustment as to why so many individuals that you grew up with in the sport thought it necessary to turn their backs and walk away from you.

He took a stance as a man, and the greatest thing about Peter Norman is when you sit back and think about Tommie Smith and John Carlos here in America, they could go beat up on Tommie Smith and get tired of beating up on him and go to the other side of town and find John Carlos and beat up on him, but when Peter Norman left and went to Australia, there was no switch-off on Peter.

Peter Norman is a humanitarian, and I say "is" because in my life, Peter Norman is never deceased. He's always going to live with me.

I think Peter Norman recuperated in the sense that people who knew who Peter Norman was, he built his character around the legacy of his family, in terms of what they taught him about equality and justice for all.