I think it's something that we said collectively, in terms of the fact that we was getting ready to face probably the biggest storms of our life, and we had to stand strong for what we believe in and carry on the legacy we just laid down for society.

In life, there's the beginning and the end. The beginning don't matter. The end don't matter. All that matters is what you do in between – whether you're prepared to do what it takes to make change. There has to be physical and material sacrifice. When all the dust settles and we're getting ready to play down for the ninth inning, the greatest reward is to know that you did your job when you were here on the planet.

Peter Norman's a man's man.

I think the Olympic Games have been married to political statements. If I go back to Berlin in 1936, it was very politically orientated then, just with the Nazis.

My kids going to school and teachers denying my kids the grades that they should have once they found out that I was their father.

Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.

It took some time for us to realize that [people] didn't particularly say they didn't like us or have the love for us that they had in the past, nor the respect. I think they chose to leave based on the fact that they felt a reprisal for being associated or having a friendship with John Carlos or Tommie Smith, or Peter Norman, for that matter.