Man at his best is a system-breaker, an iconoclast seeking not only variety, but destruction.

Dostoevsky's underground man ... observes his contemporaries striving to establish false goals where there are no naturally generated ones. ... He argues they should be conscious and honest enough to recognize that the goal itself is not an absolute, and probably not even important. A strong attachment to the telos indicates that the spontaneous enjoyment the child once took in road-building has waned.

The dialectical critique of positivist habits of mind ... is interested only in behaviour which is 'important' to the actor; that is, behaviour which is emotionally charged to the degree that it is either frequently recalled, reflected upon, or day-dreamed about. ... That science which is less discriminating in the behaviour it chooses to investigate gains clarity and distinctiveness at the cost of confining itself to the trivial.

There is a strain in Marx of the cleric, of the vulgar moralist. He paints the capitalist and the bourgeois as incarnations of evil; it is they who are responsible for the woes of mankind. The dismissal of the individual's responsibility for his own misery is the quintessence of clericalism.

Utilitarianism had found [in Samuel Smiles' Self-Help] its portrait gallery of heroes, inscribed with a vigorous exhortation to all men to strive in their image; this philistine romanticism established the bourgeois hero-prototype the penniless office-boy who works his way to economic fortune and this wins his way into the mercantile plutocracy.

This will of Stirner's, this restless probing of all given knowledge, this endless questioning, and the continuous bending towards new understanding.

Men become utilitarian out of fear of the alternative the chaos of tangled or tepid desires, of rootlessness and boredom.